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Adobe Drives New Format for Digital Cinema
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Adobe announced that it plans to lead an initiative to
define an industry-wide open file format for digital
cinema files to streamline workflows and help ensure
easy archiving and exchange.
Adobe intends to leverage its successful Digital
Negative Specification (DNG) file format as a
foundation, and Adobe plans to work with a broad
coalition of leading camera manufacturers, including
Panavision, Silicon Imaging, Dalsa, Weisscam, and
ARRI-along with software vendors, including Iridas
and The Foundry, and codec provider CineForm-to
define the requirements for an open, publicly
documented file format that it plans to call
CinemaDNG.
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QuVIS Unveils Real-time JPEG2000 Mastering Options for the QuVIS Acuity
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The QuVIS Acuity now offers real-time digital video
mastering capabilities never before seen on a single
server, providing workflow solutions that directly
increase HD and Digital Cinema content production
efficiencies and profitability.
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DTS Sells Digital Images Business to Reliance Big Entertainment
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DTS, Inc. today announced that the Company has
completed the sale of its Digital Images business to
Reliance Big Entertainment Ltd., a member of the
Reliance ADA Group of India.
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Kodak Selects intoPIX Technology for Digital Cinema
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intoPIX, the leading high-performance JPEG 2000
solution provider, announces that Kodak Digital
Cinema will use the intoPIX decoder in next
generations of the Kodak Content Player JMN3000.
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STRATACACHE Announces New Release of OmniCast for Digital Cinema 4.0
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The 4.0 release is capable of distributing some of the
movie industry's largest files in any format with 100
percent reliable content delivery and security.
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Cine-tal Develops 3D Image Processing Solution for Dolby
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Cine-tal Systems announced that it has developed
customized, image processing technology for Dolby
Laboratories that facilitates the playback of 3D movies
using a Dolby 3D Digital Cinema process while they
are in production.
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